Catalogue Raisonné-Index

	INTRODUCTION If this is your first visit to the Rembrandt Committee Catalogue Raisonné, we ask you to kindly read the introduction. There is key information within the introduction that will assist you in understanding the Catalogue Raisonné and its importance.
DATA PRESENTATION
	If you have not yet examined the explanation for the presentation of our data, we ask you to do so at this time. The button to the left as well as the link here will take you to the explanation. If you do not understand the method in which we present our findings, much of the implications of our findings will be lost to you. Unfortunately, these pages are graphic intensive, but this graphic approach is critically important to the understanding of our work.
THE CATALOGUE
	This Catalogue contains the works considered by the Committee to be wholly authentic works by the hand of the master. Paintings contained within this volume may have very minor portions that were executed by a student or were over-painted by a restaurateur, however the work would overall have to be considered to be by the hand of the master. Rembrandt scholars will note that there are far fewer works included in this volume than appear any any other comprehensive Rembrandt Catalogue Raisonné to date. This much smaller number is due to the sophisticated methods of analysis in use by the Committee and the consequent rejection of many studio and collaboration works.
CATALOGUE CONVENTIONS
	A different organisational convention has been used than is commonly used in paper publishing. This choice was made due to the dynamic aspects of electronic publishing. Unlike conventional publishing, electronic publishing allows for immediate updates and/or corrections of important information. Electronic data also allows for efficient database searches. Loading times were also considered important because of limited bandwidth availability in many reference libraries. Therefore, the catalogue is organised alphabetically by painting title. The paintings are then placed in chapters which with seven to ten paintings per chapter. This allows for fast loading times for the bandwidth challenged, easy database searches by the scholar and for possible later additions.
INDEX
Chapter 1 8 paintings	Beginning with : A Scholar in his Study Ending with : Jeremiah Mourning Over the Destruction of Jerusalem
Chapter 2 8 paintings	Beginning with : Musical Allegory Ending with : Portrait of a Man Trimming his quill
Chapter 3 8 paintings	Beginning with : Portrait of an Old Lady with Headress Ending with : Portrait of a Young Lady with a Fan (Agatha Bas)
Chapter 4 8 paintings	Beginning with : Portrait of a Young Lady with a Fan Ending with : Portrait of Marten Looten
Chapter 5 8 paintings	Beginning with : Portrait of Marten Soolmans Ending with : Portrait of the Minister Johannes Elison
Chapter 6 8 paintings	Beginning with : Portrait of the Painter Gerard de Lairesse Ending with : Saskia as a Young Woman
Chapter 7 8 paintings	Beginning with : Saskia with a Red Flower Ending with : Self-portrait in a Cap
Chapter 8 9 paintings	Beginning with : Self-portrait in a Fur Trimmed Cloak Ending with : The Jewish Bride
Chapter 9 8 paintings	Beginning with : The Money Changer Ending with : Young Girl with dead Peacocks

	THE REMBRANDT RESEARCH COMMITTEE Pioneers in Digital Research and Attributions
REMBRANDT VAN RIJN CATALOGUE RAISONNÉ