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THE |
THE CHRONOLOGY OF THE LIFE OF REMBRANDT |
![]() "The master of the studio would sign the painting even if it was painted by his students." |
This section of the web site will allow a chronological view of
the life of Rembrandt. You will observe that Rembrandt had many students who worked in his
studio. Most of these students left Rembrandts studio after a few years. They then
began their own private careers or commenced to work in other studios. The focus of the
chronology section is divided between Rembrandt and his students. For it was their
combined efforts that led to the legend of Rembrandt. Most paintings were produced in studios during the seventeenth century. The studio, or atelier, functioned much like a factory. Often the master of the studio would layout the painting and then his students would fill in large areas. Specialists existed who only painted heads, specialists who painted backgrounds, et cetera. The master of the studio would often sign the painting even though it might have been painted by several of his students. Rembrandt had a large number of students. When this factor is combined with seventeenth century work habits, the reason for so much confusion concerning the attributions to Rembrandt becomes obvious. It has been the goal of this committee to be as conservative as possible concerning attributions to the hand of the master. Only those works completed in the main by Rembrandt were designated as Authentic Rembrandt works. These works are actually quite rare. Rembrandt and all his notable peers took every advantage of the studio atmosphere to increase production and profits. These masters found themselves functioning as supervisors and had little time to devote to their own private projects. The committee has discovered most of the works previously attributed to Rembrandt were actually studio collaboration pieces. Please note that the paintings that appear in this section do not comprise the entire body of paintings attributed to Rembrandt by the Committee. The Catalogue Raisonné contains the comprehensive record of the works attributed to Rembrandt. The chronology section provides only a small sampling of works for the purpose of comparison. These works are presented in colour and will thus load slower than the images of the Catalogue Raisonné. These images will enable the scholar to compare the development of both the style and the palette of the master through his lifetime. This document may be viewed either in a chronological fashion or by taking advantage of the direct links to specific years. To shortcut to a specific year, merely left click on the time line at the year desired. Each painting listed within this section may be viewed by left clicking on the title. |
"The committee found most works attributed to Rembrandt were actually studio pieces." |
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Rembrandt
Harmenszoon van Rijn was born 15 July in the Weddesteeg at Leyden. He was the son of
Harmen Gerritzoon van Rijn a miller and Neeltgen Willemsdochter van Zuytbrouck, the
daughter of a baker. |
Rembrandt
entered the Latin section of the University of Leyden. However, Rembrandt leaves the Latin
School after approximately six months. |
|
1623/4 |
Rembrandt
entered the studio of the painter Peter
Lastman in Amsterdam. Rembrandt also very likely worked with the
painter Jacob Pynas for a short time after leaving the studio of Peter Lastman. |
1625/6 |
Rembrandt
begins his career as a studio artist in the town of Leyden. He shares a studio with Jan Lievens who
becomes a life long friend. |
Some of the
paintings incorrectly attributed to Rembrandt begin to appear with dates. |
|
1627/28 |
Gerard Dou
becomes the pupil of Rembrandt and works in his studio. Gerard Dou becomes well known for
his interior portraits. Many of his paintings were attributed to Rembrandt over the years. |
1628/29 |
Many paintings begin to appear which are later attributed as Rembrandt Self-portraits. Jacques des Rouddeaux and Johannes van Vliet become the pupils of Rembrandt and work in his studio. Rembrandt paints : The Risen Christ at Emmaus |
The death of
Rembrandts father. Rembrandt paints : Jeremiah Mourning Over the Destruction of Jerusalem |
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Rembrandt moves from Leyden and relocates his studio in Amsterdam. His close friend and partner Jan Lievens leaves for England. Rembrandt accepts Jacob Adriaenszoon Backer as a pupil. Backer begins to paint portraits in Rembrandt's studio. Rembrandt paints : The Young Christ in the Temple |
|
On 5 July
Rembrandt is betrothed to Saskia van Uylenburg. Rembrandt travels to Dordrecht, Rotterdam
and The Hague. Rembrandt begins the work on the Passion series in his studio. Ferdinand
Bol, Govert Flinck, Johannes Victors, Abraham van de Hecken and Reynier van Gherwen all
become the pupils of Rembrandt and work in his studio. |
|
Rembrandt is
married to Saskia. Gerrit Horst becomes the pupil of Rembrandt and works in his studio.
The young Jacob van Dorsten is accepted as a pupil. |
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Gerbrand van den Eeckhout and Leendert van Beyeren become the pupils of Rembrandt and work in his studio. Rembrandt paints : Abrahams Sacrifice |
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Rembrandt
completes the Passion Series for Staatholder Prince Frederick Henry of Orange. |
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The death of Rembrandts mother. |
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Rembrandts son Titus is Baptised. Rembrandt paints : The Concord of the State |
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Death of
Rembrandts wife Saskia. Rembrandt Paints : Night Watch |
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Hendrickje Stoffels enters
Rembrandts household. |
|
Karyl van de
Pluym and Johann Mayr become the pupils of Rembrandt and work in his studio. |
|
Bernhard
Keil, Barent Fabritius, Nicolaes Maes, Constantinijn van Renesse and Johann Mayr become
the pupils of Rembrandt and work in his studio. |
|
Hendrickje
gives birth to her daughter Cornelia. Rembrandt paints : Portrait of Jan Six |
|
Heyman Dullaert became the pupil of Rembrandt and worked in his studio. Rembrandt paints : Self-portrait |
|
Rembrandt
declares bankruptcy and all his effects are inventoried for the bankruptcy. |
|
The first sale of Rembrandts property under the bankruptcy procedure. The
sale was held through the Auctioneer Th. J. Haringh. |
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The final
sale of Rembrandts house and property under the bankruptcy procedure. |
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The house is
finally made over to Rembrandts creditors. |
|
Arent de
Gelder and Johannes Leupenius become the pupils of Rembrandt and work in his studio. |
|
1661/2 |
Rembrandt, who is beginning to be regarded as old fashioned, receives his last important commission. Rembrandt Paints : The Syndics of the Clothmaker's Guild |
The death of Hendrickje
Stoffels. |
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The death of Rembrandts son Titus van Rijn who was married the same year to
Magdalena van Loo. |
|
Rembrandts
granddaughter, Titia, is born. Titia is the posthumous daughter of Titus, Rembrandts
deceased son. |
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