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THE CARAVAGGIO |
MICHELANGELO DA CARAVAGGIO |
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Veritus
Ltd. |
Bibliography | Biography | Home | Committee |
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THE CARAVAGGIO |
MICHELANGELO DA CARAVAGGIO |
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INTRODUCTION If this is your first visit to the Caravaggio Committee Catalogue Raisonné, we ask you to kindly read the introduction. There is key information within the introduction that will assist you in understanding the Catalogue Raisonné and its importance. |
| DATA PRESENTATION | |
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If you have not yet examined the explanation for the
presentation of our data, we ask you to do so at this time. The button to the left as well
as the link here will take you to the explanation. If
you do not understand the method in which we present our findings, much of the
implications of our findings will be lost to you. Unfortunately, these pages are graphic
intensive, but this graphic approach is critically important to the understanding of our
work. |
THE CATALOGUE |
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| This volume contains the works considered by the
Caravaggio Research Committee to be wholly authentic works by the hand of the master.
Paintings contained within this volume may have very minor portions that were executed by
a collaborator; however these works are on the whole considered to be by the hand of the
master. Caravaggio scholars will note that there are far fewer works included in this volume than appear any any other comprehensive Caravaggio Catalogue Raisonné to date. This much smaller number of paintings is due to the sophisticated methods of analysis in use by the Committee. |
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CATALOGUE CONVENTIONS |
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| A different organisational convention has been used than
is commonly used in paper publishing. This choice was made due to the dynamic aspects of
electronic publishing. Unlike conventional publishing, electronic publishing allows for
immediate updates and/or corrections of important information. Electronic data also allows
for efficient database searches. Loading times were also considered important because of
limited bandwidth availability in many reference libraries. Therefore, the catalogue is
organised alphabetically by painting title. The paintings are then presented in chapters
that consist of eight to ten paintings per chapter. This format allows for fast loading times for the bandwidth challenged, for easy database searches by the scholar and for possible later additions. |
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INDEX |
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| Chapter 1 8 paintings
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Beginning with : Abraham's Sacrifice Ending with : |
| Chapter 2 9 paintings |
Beginning with : Crucifixion of Saint Peter Ending with : |
| Chapter 3 8 paintings |
Beginning with : Holy Family with Saint John the Baptist Ending with : |
| Chapter 4 8 paintings |
Beginning with : Martha Condems Mary Magdalene's Vanity Ending with : Salome with the Head of Saint John the Baptist |
| Chapter 5 8 paintings |
Beginning with : Saint Catherine Ending with : |
| Chapter 6 7 paintings |
Beginning with : Saint John the Baptist with a Ram Ending with : |
| Chapter 7 8 paintings |
Beginning with : The Calling of Saint Mathew Ending with : |
| Chapter 8 9 paintings |
Beginning with : The Flagellation of Christ Ending with : |
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